April Morning

In honour of National Poetry Month, I’m going to post two poems by one of my favourite poets of long ago, SARA TEASDALE

MORNING

I went out on an April morning
All alone, for my heart was high,
I was a child of the shining meadow,
I was a sister of the sky.

There in the windy flood of morning
Longing lifted its weight from me,
Lost as a sob in the midst of cheering,
Swept as a sea-bird out to sea.

This next one is from her “Vignettes Overseas”

STRESA

The moon grows out of the hills
a yellow flower;
the lake is a dreamy bride
who waits her hour.

Beauty has filled my heart,
it can hold no more;
it is full, as the lake is full,
from shore to shore.

STRESA appeared in The Collected Works of Sara Teasdale, first published in 1907.

An Old Poem

In honour of National Poetry Month, I’m posting this verse from a Canadian writer of long ago. Lucy Maud Montgomery, who wrote the Anne series, starting with Anne of Green Gables, turned her hand to poetry as well.

The Garden in Winter
by L.M. Montgomery

Frosty-white and cold it lies
Underneath the fretful skies;
Snowflakes flutter where the red
Banners of the poppies spread,
And the drifts are wide and deep
Where the lilies fell asleep.

But the sunsets o’er it throw
Flame-like splendor, lucent glow,
And the moonshine makes it gleam
Like a wonderland of dream,
And the sharp winds all the day
Pipe and whistle shrilly gay.

Safe beneath the snowdrifts lie
Rainbow buds of by-and-by;
In the long, sweet days of spring
Music of bluebells shall ring,
And its faintly golden cup
Many a primrose will hold up.

Though the winds are keen and chill
Roses’ hearts are beating still,
And the garden tranquilly
Dreams of happy hours to be―
In the summer days of blue
All its dreamings will come true.

Woe in the Green Woods

Since this is National Poetry Month, I dared to hop over to Judy D-B’s blog and issue her a challenge — based on her own suggestion, mind you — to write a poem using at least three of the following words:
chlorophyll, fettuccine, rosemary, poison ivy, parakeet, and Greenland.

I knew she wouldn’t be able to resist — and she hasn’t. You can read her verse here: Green Cuisine. Now I invite any other readers to wander the green woods with us and write a poem using at least three of those words. You can give the title and leave a link to your poem in the comments below.

Once I had these words in front of my eyes, my own thoughts started to whirl in a kaleidoscope of green chips and I composed a poem as well. Unlike Judy, I didn’t succeed in using all the words.

One day a poison ivy patch
attracted little sister;
before too long she started to scratch
and itch turned into blister.

Our mom was crushing rosemary
planning a meatloaf lunch
with fettuccine on the side,
when in trooped our sad bunch.

Mom boiled up some chamomile
to make a soothing potion,
sent brother to Greenland’s drug store
for a jug of calamine lotion.

And all the while my sister wailed
our parakeet kept repeating,
Our grandma’s, “Count your blessings now.
The joys of life are fleeting.”

Truth, Lies, and Desk-ku

According to haiku poet David Lanoue in his book Write Like Issa, “Many poets and some editors of journals dislike so-called “desk-ku”; haiku dreamed up as works of pure imaginations. Such writers and readers much prefer haiku to erupt from raw, genuine sensations and feelings.”

the furious sea’s
cat-and-mouse game with the ship
the band plays on

I guess this is desk-ku, since I’ve never been on a cruise, nor at sea in a storm. I was on a whale watch cruise once and did sense the power of the deep sea below. Also, I’ve read A Mighty Tempest by Michelle Hamilton, who describes her own experience in a small craft during a ferocious storm. So I let myself envision what might go on if a wild storm suddenly swept down on a cruise ship and picture the wild sea tossing even a behemoth like that into and out of troughs. I imagine the crew trying to distract passengers from the danger and keep up morale. I remember the story of the Titanic, how the band played as the ship went down.

In reality, cruise ships nowadays have enough weather-watch equipment to avoid that kind of a storm. Passengers would be ordered to their cabins until the danger was past. Oh, well…exciting to imagine.

This thought of genuine experiences and emotions versus writer imagination brings to my mind a similar sentiment expressed by a couple of different friends: “There’s no point reading fiction. It’s just lies someone’s dreamed up.”

To which I’ve replied, “Not very many writers just dream up everything they write in their stories. While the setting itself is invented, fiction involves weaving in incidents we writers have seen, heard, and experienced ourselves. The characteristics of our heroes and villains may be over-balanced compared to real-world people, but if they behave too irrationally, the story is spoiled and the reader disgusted — unless they like fantasy.

I think of Jesus, whose parables have come down to us through the ages, and how He left his stories open so readers could put themselves in the place of his characters. In the Parable of the Prodigal Son, Jesus no doubt had a real situation in mind. He didn’t tell this as a dry account, however. He didn’t explain how “Twenty years ago back in Bethlehem, A, a middle-aged farmer, had two sons, B and C. One day C decided he’d had enough of working long hours in the fields; he wanted to see the world. So he says to his dad…and then he takes his share of the inheritance and heads off to xxx where he shells out his shekels on booze and parties. Etc.”

Leaving the actual facts unsaid, Jesus invites his audience — and us today — to see ourselves in all those characters. Haven’t all of us wandered down some wrong path — in attitude if not in fact? Then something woke us up, we saw where we were headed. We sensed we were polluting our minds, bodies, lives, with garbage, and we turned around. Haven’t we all had to go back and admit, apologize, figuratively if not literally ask to be taken back into the family or friendship?

Years ago a teen wanted “freedom” from the restrictions of her Christian home. She became infatuated with a ‘leader-of-the pack’ type, the head of a biker gang, and became his girl. But those bikers worked their girls; she ended up in the pigsty of prostitution, not at all free, and was finally cast aside by the leader. One day, soon to give birth, she finally came to herself, thought of her parents, the love she once knew, and started walking. She started to hemorrhage there on the sidewalk; a good Samaritan picked her up and drove her to the hospital. From there she and her baby girl went back to Mom & Dad and were welcomed back into the family fold.

Most parents can identify with the father, anxiously watching for the return of his prodigal. Whether the child has distanced himself in fact or in spirit, haven’t we hoped and prayed they’d come to their senses, deal with their sour attitude, and get their life back on track?

If we’re honest, we can place ourselves in the role of brother B, who kept his nose to the grindstone, bearing an extra-heavy workload because C took himself off to the fun-fair for a year or two. Now here comes his long-lost brother, crawling home broke and wasted, and their father lays out the red carpet, kills the fatted calf, and is in the middle of a big “Welcome Home” party for this loser.

Some writers do spin fantasies. Even if they try to cover their tale with a realistic setting, no real human beings would react the way their characters do. In real life, if you’re harsh and demanding, often rake your friend or partner over the coals for minor faults, he or she is not going to respond with profuse apologies and promises to get it right and pay attention to your feelings from now on. Trust me. Won’t happen. Modern romances really lead you astray on this one, because real human beings will either lash back or clam up and resent — just like you would if treated that way.

When I was a girl my mom wanted me to take an aspirin for whatever “growing pains” I had, so she’d crush it on a spoon together with sugar. The sweetness masked the taste of the medicine that relieved my pain.

That’s what writers do, sort of. A good fiction writer can take real life situations, dream up a fiction setting, give various incidents a twist — so Aunt Vanilla doesn’t know this humorous bit is based on her baked beans and Uncle Shellby doesn’t realize we’re describing his snoring — and head into a story that has a theme, a point. Something to ease the reader’s pain if they’re hurting.

I recall a time when I was worried about a situation that needed to be addressed somehow. It seemed someone(s) must see the light before too much damage was done — but I could hardly go and educate the attitude-riddled parties involved. Then a story seed dropped into my fertile mind and expanded into a somewhat exaggerated illustration with the point snugly wrapped inside.

My take on the gossip after a minor accident in our community, and how you just can’t believe everything you hear, became Brother Ed’s Accident in Silver Morning Song. Poor Brother Ed had a simple incident when hauling cattle, and thanks to the arrival of a helping hand, the problem was easily solved. But when he got to church the next Sunday… When I asked another writer for a critique, he told me, “This exact thing happened to me after I had a minor accident; the gossip had us dead and dying and what-not-all.”

One local farmer read that story and said he didn’t believe cattle could ever be rounded up that easily, I told him, “I’ve seen it done.” I also researched stock trailer doors online to find out if they might occasion pop open. Yes, it has; a horseman once lost a good stallion that way.

Writer integrity is the key phrase here. Realistic fiction, like all other writing, is a blend of personal experience & emotion, eye-witness accounts, stories heard, and a LOT of research. It shouldn’t be dismissed as “Just a bunch of lies.”